The Social Reckoning Opens to a Weak $5.5 Million
Aaron Sorkin's The Social Reckoning opened to $5.5m in North America and $9m worldwide, well below projections for the follow-up to The Social Network.
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Aaron Sorkin's The Social Reckoning has opened well below expectations at the box office. The Sony release earned an estimated $5.5 million in North America over the October 9-11 weekend, plus $3.5 million from international markets, for a worldwide debut of about $9 million, according to Screen Daily. Forbes reported that the domestic opening came in under projections of $6 million to $8 million. The result placed the film fifth in North America and seventh in the worldwide weekend chart. A very different Facebook story The Social Reckoning returns to the world of Facebook 16 years after Sorkin won the Oscar for writing David Fincher's The Social Network. But where the 2010 film took audiences inside the giddy rise of the company, this one is a whistleblower story, exposing what Screen describes as the preference of profit over corporate ethics. The film stars Mikey Madison, Jeremy Allen White and Jeremy Strong. Strong plays Mark Zuckerberg in what Forbes describes as a supporting role. Madison won the Best Actress Oscar for Anora, Allen White is known for The Bear, and Strong won an Emmy for Succession. How it compares with The Social Network The comparison with its predecessor is stark. The Social Network reached $224.9 million worldwide in 2010, with $97 million from North America and $128 million from international markets, according to the data cited by Screen. Its top overseas markets were Japan, the UK and Ireland, and France. Sorkin directed this film himself, as he did with Molly's Game, The Trial of the Chicago 7 and Being the Ricardos. Those films were well received by critics and awards voters, but this opening suggests that a strong cast and a famous subject were not enough to draw a big cinema crowd. Why adult dramas are struggling The result adds to a long-running debate in Hollywood about the theatrical prospects of adult-focused dramas. Films built around dialogue and real-world issues increasingly find their audiences on streaming services rather than in cinemas, especially when they open against louder genre releases. TheWrap and other trade outlets ran pieces on why the film fell short. A mixed weekend for Sony The disappointing debut came on the same weekend that Sony celebrated a big win elsewhere. Its Resident Evil reboot returned to No. 1 worldwide with $62.6 million, powered by a $40.6 million opening in China, and became the highest-grossing film in the franchise. In North America, Universal's horror film Other Mommy led with $27.5 million, followed by Verity, Resident Evil and Heart of the Beast. Warner Bros' Digger, which Entzopedia covered in our Tom Cruise box office report , also continued to slide. Awards hopes A weak box office start does not end a film's awards chances. Sorkin's work has a long history with the Academy, and the cast includes recent Oscar and Emmy winners. The film's performance with critics and voters over the coming months will decide whether it becomes a contender for the 2027 Golden Globes and the 99th Academy Awards . A whistleblower drama in a crowded market The film arrived on a busy weekend. Horror releases dominated the top of the chart, with Other Mommy and Resident Evil appealing to younger audiences, while Verity continued to draw adult viewers who might otherwise have chosen Sorkin's drama. That competition for the same older audience may have cost The Social Reckoning some of its opening. Studios also face a tougher environment for mid-budget dramas in general. Many such films now go straight to streaming, and those that do get wide cinema releases need strong reviews and word of mouth to stand out against franchise and genre titles. What's next The Social Reckoning has so far opened in only 29 international markets. Brazil and Mexico follow on October 22, giving the film a chance to build overseas. A strong word-of-mouth hold could soften the blow, but the opening suggests that much of the film's audience may wait to watch it at home. Sources: Screen Daily | Forbes | NBC News | TheWrap